When we walked into what was once Dot's Cafe, I looked up at the huge spider webs covering the circular fan, light fixtures, and the ceiling in the corners of the room. The restaurant was filthy with thick layers of dust and debris. Old newspapers were piled in a corner by the door. A dozen dirty round wooden stools sat in front of the splintered counter. On the opposite wall, across from the counter, were three wooden booths. I could see they were once brown but were now faded and covered with dust. One large round table sat in the center of the room. Seeing all of the tables and chairs I imagined people sitting there many years ago and could almost hear the ghost of chatter in the silence. I glanced in the small bathroom and saw the remnants of dead mice in the toilet.
While Carla and Mosa walked around, I noticed a large yellowed poster tacked to the wall with the words menu at the top. The letters were a faded red, but I was able to read what Dot served as well as the prices. Eggs with bacon, toast and coffee--fifteen cents, Dot's pancakes with sausage and coffee—twenty-two cents, Hamburger on bun with the works—eighteen cents, coffee and tea—five cents. At the bottom: Friday night special—Roast Beef with mashed potatoes and succotash –Ninety-five cents. Apple Pie and ice cream—twenty-five cents.
I chuckled when I thought about the price of food today and wondered what happened that made everything more expensive. I looked around and felt I had stepped back in time, but I also saw what had to be done in the next week to turn Dot's Cafe into The Bistro.
“I think this place needs spit and polish. We can make it beautiful,” Carla said, as she stood next to me and looked around.
“I can see it,” Mosa said. “I will paint a mural and I have many paintings I can put on the wall. I know other artists too.”
“It might need more than spit and polish,” I said. “I'll see if the building is structurally sound and do what I can, but I also want to repair and refinish the counter and the tables and chairs. I used to work for a boat builder in Maine, and think I can make those booths special.”
“Anna told me she wants a stage for entertainment. She said people will drive great distances for good entertainment and good food.”
“That's true,” I said and wondered if Mosa was right. Anna was magical . Maybe she would actually bring Avalon to life. Anna mystified me and I couldn’t believe how Carla and I had drifted into this ghost town in Death Valley and here we were about to bring a dilapidated restaurant back to life in exchange for the trailer.
For a moment, I wondered if we should stay and hide here and become part of Anna's dream. There's something appealing about making dreams come true. The police had already checked it out and we'd be safe, but then I realized I wanted to make it to Bolinas with Carla. Having the trailer would give us a good shot at getting there without getting caught.
We got busy and worked from eight to six every day. Miguel worked with us. Mosa made sandwiches and within two days the walls were clean enough for her to start painting a mural. I sanded the counter and started on the tables and decided I would do the refinishing when all of the furniture was ready. After doing that and saw that the counter, stools and booths looked brand new, I built the small stage in the corner. I had checked all of the lumber and supplies in the hotel next door and saw that in addition to wood, nails and screws, there were several gallons of paint and varnish.
Anna came to see what we were doing every day. She stood in the doorway and looked around. She smiled and nodded but didn't say a word. After five minutes she would wave goodbye and walk away, but I could tell she was happy.
On the day while working on the stage, she came over and watched. She had a smile on her lips as if remembering something. Then she spoke.
“ I love a good stage. All of my life I have lived to be on the stage. The theater is my life. You are making me happy.”
When she left I thought about her life as a world famous ballerina who performed on major stages in New York and Europe and now on a stage in a ghost town. I remembered her saying she would be rich and famous again as if she knew it was going to happen. While I worked, I wondered if she was delusional or profound.
Two more days and we will be on our way, I thought as I nailed down the last board on the stage. Mosa was on a ladder painting the mural on the wall, and saw what looked like the barren mountains surrounding Death Valley, but also saw she was painting a lush green garden with willow trees, colorful flowers and a huge waterfall pouring into a pond. She was creating a serene oasis in the desert and I knew she was painting Avalon. The half finished mural seemed to glow.
The next day, Miguel entered carrying a large wooden sign with The Bistro carved into the wood. The letters were painted a bright yellow and almost looked like gold. I couldn't believe my eyes.
“That's magnificent,” I said.
“ Did you make that sign?” Carla asked.
“ Si.” Miguel smiled.
“ Good job, Miguel. It's perfect,” Mosa said from the ladder.
“ Can you hang the sign outside?” he asked me.
“ I'll need your help, but yes, I can hang it.”
It took over an hour to hang the sign above the door. When I climbed down from the ladder, I stood back on the sidewalk and looked up at the sign and then at the front of the building that Miguel had also painted with light blue paint and a yellow trim. I couldn't believe my eyes. Like the theater, the building sparkled in the late afternoon sun.
Carla had worked behind the counter and scrubbed the stove and the hood over it and made it shine. The dishes, pots and pans and silverware sparkled. I had made a shelf for wine glasses above the counter. Mosa had finished her mural of an oasis in the desert and had hung several of her paintings on the wall over the brown varnished booths.
Anna came in and looked around. She applauded and smiled. “The trailer is yours.”
The next morning, I hitched the trailer to my truck. After hugging Anna, Mosa and Miguel in front of our trailer, we started to drive away, but stopped for a minute in front of the theater and looked at it one last time. It seemed to glow in the morning sunlight. I looked at the poster of a much younger Anna on her toes, her arms extended and knew I would never forget her.
I drove slowly up the street past several old dusty cars, then stopped in front of the restaurant. I looked up at the sign and the brightly painted blue and yellow building.
“ It's such a cute place. It's amazing,” Carla said, staring at it.
“It's weird seeing a restaurant in this ghost town. There's no food. No chef. No one knows it exists. I wonder if anyone will ever eat there.”
“ Maybe they will come just like people are starting to come to her theater.” Carla shrugged her shoulders. “Who knows?”
After admiring The Bistro for a few minutes, I glanced at the boarded up hotel next door with Avalon written over the blacked out Hesterville and wondered if that was next. I glanced in the rear view mirror at the trailer and drove out of town and back to the highway that would take us to Santa Monica and the end of Route Sixty-six. After two hours, I saw we were low on gas. I remembered passing a sign advertising The Mojave Truck Stop.
A half hour later we were there. We pulled up to one of a dozen pumps. I felt confident that the license on my truck would not be seen because of the trailer, but knew there were still photos of Carla and a sketch of me being circulated and shown on television. I decided to take a chance and go inside to get some coffee and a snack while Carla paid for the gas and hoped we wouldn't be recognized.
While we poured ourselves coffee, Carla's cell phone rang. Again, she didn't answer it, but listened to the message so that I could hear her mother sobbing. “Please call and let us know you're alive. Please. I'm hysterical.”
Carla closed her phone and slipped it into her shirt pocket. I knew she was upset by how she closed her eyes and swallowed, holding back tears. She took a deep breath and started towards the door. “Let's go.”
At the counter, I saw the headline on the newspaper. “Kidnapper Still on the Loose.” A sketch of me was on the front page. I glanced at the young girl behind the counter and hoped she wouldn't look up and recognize me, then quickly went outside while Carla paid her.
Though I felt safer with the trailer, I knew we had to be careful until we got to Bolinas. When Carla got back into the truck, I took a sip of my coffee and turned to her. “I hope we make it.”
“We will,” Carla said, but then she sighed deeply.
“ Damn, I hate making my mom worry. Maybe I should call her.”
“ It's your call, Cara.” I glanced at her, but wished she had called before all of this running had started.
“ I'm afraid she'll beg me to come home if I tell her I wasn't kidnapped.”
“ If you tell her you weren't kidnapped, the police would stop looking for me. You would be a run away and that's not a crime. Maybe we wouldn't be in all this trouble if you would just tell her the truth.” I know she heard the frustration in my voice.
Carla closed her eyes and shook her head from side to side. “I know. I know, but I'm afraid to hear her voice.”
I knew she was afraid of her mother's pressure on her life and was avoiding confronting her. I didn't know what to say to comfort her. I wanted to give her the courage to tell her mother the truth that she wasn't kidnapped and the truth of why she ran away, but knew the courage had to come from her and not from me.
“ I can't go home. I need to be with you and I need to be me.” She spoke with her eyes closed.
I watched her take a deep sigh and knew she was trying to hold back tears. Her eyes were closed, her lips quivering. Though I wished she would tell her mother that she wasn't kidnapped, that she had to get away and knew she'd feel relief, I didn't say anything. I knew if she told her mother the truth, we wouldn't be on the run from the police. I wouldn't be a hunted kidnapper, an outlaw. I wondered if I should be more insistent, but wanted her to break through her fear and end this mess. A few times I started to say something but swallowed my words. It was painful to see her suffering but was frustrated by her reluctance. Say something. Do something I muttered to myself, then turned on the ignition. I sighed deeply in frustration, then gripped the steering wheel and drove out of the gas station, uncertain where I was going and what would happen to us after Bolinas.
Three hours later, after driving past huge groves of orange trees, we arrived in Santa Monica and saw the sign on the huge pier--Route Sixty-six ends here. I had made it. A warm sense of triumphant came over me for driving the entire historic route from Chicago. I wanted to walk on the boardwalk and enjoy the liveliness, but was afraid Carla and I would be recognized.
It's not easy to find a parking place with a trailer, but we found one near the beach where a few other trailers parked. We sat in the truck and looked out at the Pacific and watched the waves, smelled the salt air and listened to the sound of the surf. The beach was lined with palm trees and hundreds of sailboats and large yachts sparkled on the slate gray water.
It was a warm, sunny day and the beach was crowded. People walked by our trailer in bathing suits and light clothing. Everyone seemed tan. Some ate ice cream cones or carried beach umbrellas. Many were riding bicycles, skate boards or went by on roller skates. It seemed festive especially after a week on the Mojave desert.
I had to get out and stretch and took the chance I wouldn't be noticed. Carla and I walked over to a bench on the edge of the boardwalk and looked out at the ocean. Just as I took a deep breath of salt air, I glanced down at a trash can and saw a folded up newspaper. I picked it up and saw the headline—Five State Manhunt for Kidnapper Continues.
“Fuck!” I showed it to Carla.
“I'm sorry. This is horrible.”
“Carla, you have to call your mom and tell her you weren't kidnapped. This has to be over. I had no idea this would happen when I agreed to take you with me.”