Quote by BlinkOneSomethingI write in exactly the same way you describe. NEver a plan a thing.
So I rarely outline a story before I start to write. I'm sure some authors will immediately say "OMGWTF IDIOT!", but I'm sure there's others out there like me. In short, I enjoy the journey of the story unfolding to me and letting the characters develop themselves while my imagination gently nudges them in one direction or another. Luckily enough I've been able to generally transform most of the freeform plotlines into something that actually says something, or at least entertains (me) on some level. But the pitfall: I have a story I'm somewhere near the middle of, that I love the characters, love the setting, but all of the sudden, I'm just stuck. I've shelved it for several days and still can't come up with the next scene. Everytime I write the next few paragraphs I reread them then delete them in disgust. Does anyone who writes in this manner have any tricks or tips to breaking writers block mid-story like this? I don't want these characters to have lived a totally meaningless existence! They're too damn sexy.
Quote by cornodamore
I'm probably too late to join in this one, but I have two ways of dealing with writer's block. One is that my first draft is usually rubbish anyway, and I accept that--I always say I start with a 'daft-draft'. The other, if I'm really struggling is simply to invent word games. eg I write 'word-rivers'. I invent a character and write down all the words they would use but other characters wouldn't, or words that would describe them. I find little word-exercises helpful. I've even been known to take an empty crossword from a magazine etc, and create an erotic crossword. That's a fun game and gets the juices going too.
Set the story aside, work on something else for a while. Or, if you're writing in a linear mode, try jumping ahead to a future action or scene that you have in mind, and see if that draws the earlier characters into the right direction. I currently have a 5000-word draft that needs some sex punched up and has two draggy middle sections, which I can't get myself reconnected with enough to deal with those. I also have a 3400-word where I tried to do too many things (age-difference seduction, mind control for starters) and while I know roughly what parts to rip out, I can't get myself to do it yet. Then I've got a 3800 word draft which is solid for about 2800 words then breaks into concepts and mini-scenes that I haven't been able to flesh into a flow.
So I went to my slush pile - a file of about 50 items ranging from six-line ideas to thousand word chunks. And as luck would have it, a story plotted loosely to have eight sections that I hit a wall after the third (five years ago I hit that wall), triggered something in my head and I got a few lines then a few more good writing rush and within a month got all the way to a proper end. So you never really know what draft or fragment may flip a switch and turn on the words.