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RejectReality
11 hours ago
Straight Male
United States

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Fireworks were essentially illegal in most of the U.S. for many years. I know everything except what is considered "safe and sane" in California was illegal to manufacture, distribute, possess, or ignite in my state for as long as I can remember until about fifteen years ago. I can't recall a single 4th in all that time when the sky wasn't lit up. Remember the video from L.A. last year? They're illegal in California.

Prohibition on fireworks has the same effect as prohibition on alcohol did. People will not put up with it, and you end up with bootleg garbage that's even more dangerous.

The bulk of the injuries, damage, fires, and even irritation to neighbors can always be traced to idiots using them improperly, and in violation of current law. The rest can be chocked up to shoddy manufacturing — which also can be largely prevented by taking the appropriate precautions.

Looked it up, and my state's laws changed in 2006 to remove the "safe and sane" style prohibitions. Injuries per year:

Quote by LakeShoreLimited


Sorry, that sort of contradicts what the people above said. The box should be checked only for the first chapter, but if the subsequent chapters don't also have the series name, then how does the software know what they are linked to? Maybe I missed something there.


That's done by the "Link This Story" link, as shown below on one of mine.



Each subsequent story in the series after the first links back to the previous story in the series. That's how it keeps them grouped. The above image is from the edit screen for the second story in the series, "Feather and Scale", which links back to the first, "Serpentine Destiny".
You can treat it that way.

My Series Name

My Series Name Ch. 01
My Series Name Ch. 02

But Lush allows you to group things without the need for chapter numbers. For example, my Magic of the Wood series:

Magic of the Wood

Steward of the Wood
Daughter of the Wood
Forever of the Wood ( Pt. 1 of 2 )
Forever of the Wood ( Pt. 2 of 2 )

So on and so forth. As you can see, you can even include multi-part stories in the series if you wish.

The titles don't even have to have anything to do with the series name.

The Ancient Peoples

Serpentine Destiny
Feather and Scale
Tangled Coils

You have a lot more flexibility here, but you do still need to produce everything in sequence in order to link them up as a series. There's no ability to insert a story in the middle of the timeline without editing every single story in the series from where you're inserting the middle story to link them up in the new order.
Quote by simplyjohn


I picked up your Help Desk submission about this and did send you a PM which in simple terms said I have referred it to Gav for a bulk delete.


I may have accidentally deleted that PM while clearing up all the comment delete notifications Sorry about that!
Quote by Meagananne1986
Sounds like it might be a kind of spam. Did you report to Admin?


Looked more like a glitch of some kind to me. While they're new, they're also a paid member, with other activity. Doesn't really fit the profile.
Quote by kistinspencil
If it's a nice one, can I have a few dozen copies to sprinkle around on my stories?


Unfortunately, it also appeared to be a partial comment. Ended with a comma. "If I ever find a good woman,"
Somebody's system went bonkers and left over 400 identical comments on one of my stories. Some of them have been deleted, but there's still over 300 remaining. I've managed to clean up my timeline, inbox, and email inbox, but if someone could remove the rest of the duplicate comments, it would be much appreciated.

This might be a job for Gav to do with direct database access. A mod is probably going to have to clear it up one comment at a time. That also might save me from having to do the cleanup from my inbox and email inbox triggered by each comment deleted.

https://www.lushstories.com/stories/strapon-sex/-got-me-pegged-.aspx
Even though nobody seems to be interested, I'm going to complete my journey anyway. LOL Hit my last store today. The only thing I'm still looking for is the sister cake to the CodyB Positive Pyro, the CodyB Neon. I really haven't spent any money in years, and with my finances fully squared away and about a half-year's salary in the bank, I decided to spend my stimulus on fireworks this year. I love shooting them, and my boy loves watching them.



8 more 200 gram cakes. Two were items I've always shot, but which weren't yet available when I hit the store last week. They were in this week, so I've got my Viking Storm and Honest Abe. Also grabbed what's sometimes called a 100 gram cake, the Crackling Pteranodon, because I remember it being good. Grabbed a couple more big cones, a roman candle assortment, and a pack of effect rockets as well.

The other six cakes are from the final store on a B1G1 deal, which is almost exclusively RGS brand. I've never shot any of their stuff, but the demos look good, and it's a mom & pop local operation. Picked up two cones from there that are some of the heaviest I've ever encountered. Interested to see how those do. The weight alone encouraged me to double up on them, rather than get something else for the B1G1 deal on them. Grabbed two packs each of smaller effect rockets and their big roman candles ( Buy1Get1 ) and decided to ease myself into mortars with the two mini cannister kits, which were also B1G1. Between those and the 3" bore cakes, I should be able to tell if I'm over my childhood aversion to mortars. The cakes will have the same amount of bang, and the mini cans will acclimate me to the process.

Probably end up firing off some of the doubles of rockets and roman candles soon. I should imagine that I'll start hearing other folks lighting stuff off by next weekend at the latest. I just don't want to be the first in town. The rest of the rockets and roman candles will be mixed in with my 200 gram show, which will probably be where I'll do most of my chain fusing. The 500 gram show I'm going to light by setting them up in a well-spaced zig-zag and torching them, with the biggest ones the farthest away from the audience. Those two shows I need to sit down and plan. The fountain show is pretty simple, smallest and lightest, working my way to biggest and heaviest, and spacing the two duplicate cones near the end.

They're so heavy that I have sufficient faith in them to put them nearer the finale than the beginning, where the other cones are likely to land.

I've got stainless steel plates large enough for about three 500 gram cakes each to ensure a flat surface, and I grabbed 20 large tent stakes to supplement blocks and pavers for stabilization on the big cakes. Bought a new GoPro as well, because I'm hoping to video it this year. First time I've tried that, so we'll see how it goes.
Hit my second store today since work wouldn't give me time off to take the boy to a doctor's appointment, ( which I've already rescheduled 3 times ) prompting me to call off. Don't want to give me a few hours? Well, I won't be there at all. smile Still have freebies remaining halfway through the year, so I can afford to weaponize one to make a point.

Another small store and basically a family operation, like the other one I'll be going to over the weekend. Almost exclusively Winda and Raccoon brand, which isn't really available anywhere else in the area. Dropped by another store and picked up a single fountain by Cutting Edge as well. That's a really good brand, but the only place I know of that sells them around here jacks up the prices.

Two large fountains to round out the home show, and two more 500 gram cakes, filling an effect hole I had with the lace cake. The 250 gram cake he threw in for free. Grabbed another pack of neon moon travelers, making for a third brand of those. The large rockets looked good, so I picked up a pack of those. The roman candles are something I haven't seen before. 5-shots with some interesting effects like flying fish that aren't usually found in a roman candle in my experience. It was an 8 pack with a variety of effects, so it seemed like a good test bed. Haven't shot rockets or roman candles in years, so I'm seeing what's out there.



With the number of 500 gram cakes I've picked up, and the 4th falling on Sunday, I think I'm going to split into a third show. My Dad will be shooting off his stuff before I bring out my arsenal, so I'll stick to exclusively 500 gram cakes there, ending with the 119 shot zipper and the two 3' bore cakes for a dual level finale. All the fountains and really small aerials will be a second show. Then I'll put all the 250 gram cakes, rockets, etc. in a third. That will give the boy a whole 3-day weekend of fireworks, which he loves. Then I've got all the standard moon travelers to amuse myself with twisted/cross fuse multi-launches.
Got started on this year's setup for the fourth. You'll notice there are no cannisters/shells, because I had a bad experience as a kid when one of my uncle's left the tube by about four feet and the double break went off just fine at ground level, sending the whole family scrambling. Haven't quite overcome my aversion to them yet. This will be my first year shooting 3" bore cakes, and if that doesn't freak me out too much, I may take the plunge with mortars next year. This will probably be the bulk of it, but there were a couple of favorites that weren't in stock yet when I went this weekend to the one store, and I'm going to stop at two others for some pick-ups, hoping to fill in some effects I'm missing + support a small local outfit that's a family operation.

200 and 500 gram cakes for the big show out at my parents' place in the boondocks.



Fountains, novelties, etc. for firing off at the basketball court by the house and goofing around during the day.



Actually missed a pack of whistling moon travelers in this one. Was still on the couch.

Picked up something else this year as well. Tired of having to arrange pavers to support my small cakes, so I went with a well-designed option by an independent maker.



Large enough to easily load 2 cakes with small bases at a time. The sides are open so you can reach the fuse. You put the long cotter pins through the holes to pen the cake in, preventing it from tipping. If I go mortars, or if I find some good rockets and roman candles this year, I may be buying the larger multi-purpose version of this with a topper designed for shooting those for next year. Probably a couple more musket shots or the version called Scurvy Dog that has three of them hinged together. Redbeard's Fireworks Showcase if you want to look it up, though you're pushing your luck to get anything in time for the fourth this year.

On that same note, there's going to be a fireworks shortage this year from a combination of a fire at a major Chinese manufacturer, and Covid-related shipping issues. You don't want to wait until the last minute this year. If you do any fusing, you really want to get on the ball immediately. Fuse is in short supply. I picked up the last two packages they had at my usual place, and the biggest distributer in the U.S. has put strict limits on orders.
Quote by WiseGinger
I'm reading a lot of stories and I noticed that gold members, yes, have their stories published quickly, but there are several typos, so I prefer mine taking longer but with less typos!


If there are typos getting through, that shouldn't be due to Gold's expediated approval. That simply means that they get priority in the queue. Each submission should be getting the same level of scrutiny, regardless of where it falls in the queue.
"Morning Jo" just became my #20 famous story

"Selfie Stuck" joins my sig as next in the famous line, and here's a brief synopsis.

He does everything right to avoid his student's inappropriate advances, but she's more determined than he imagined. When her nude selfies appear on his phone, and then she shows up at his place, he's truly stuck, and fucked.
Quote by AbigailThornton


You might consider some outer glow on your title/subtitles when they're positioned in a "busier" area of your image. They're getting lost in the image. This one in particular really obscures most of the title. The pink on "Oh Daddy" isn't quite bold enough to stand out from the background and her hair without some additional pop. "His Lost" really gets lost in the background with the multicolor bands behind it. "Laptop" is bright enough to pop over the change in light to dark between her legs and the shadow on her thigh, but it would need a glow if you used it on the rest of the title.

A slightly bolder pink could pop "Oh Daddy" but I don't see any way ( with this font ) to make "His Lost" truly visible without some outer glow.

Your byline pops well with the white and bevel, despite the light background. It's a bolder font, which makes that easier. It really pops in the darker areas of most of your covers where the white is a bright contrast.

One thing I often do is to convert the final image to grayscale, and see what it looks like.



The image is the first eye-catcher, but you want that title to pop as well — especially when you're hitting a popular keyword.

Thumbnails are another way to check them, and in the two for your Amazon releases, the subtitles are severely overpowered by the images. The red is again especially difficult to read.

Sitting here in preview, I'm staring at my ad for "Her Cut to the Chase" and smacking myself for not making that pop more against that Astroturf background. LOL "Morning Jo" could honestly have used a slightly lighter shade to make that title pop as well. It's doubly important there, because unlike your Amazon listings, the title isn't available in text next to it. The image is all there is to go from. I'll probably edit Chase, but Jo is so close to hitting 30k that I think I'll let it go.

Your composition is spot on. The image choices are either very evocative of the titles, or very provocative in and of themselves. I like the font choices as well. The finer ones just need a little extra pop to prevent the image from overpowering them.
Quote by Mushroom0311


This is where it turns into a real issue.

Multiple times, I have found my stories for sale on Amazon, and was able to get them removed after telling them I was the original author. And I used my posting the story in the 1990's on ASSTR as my proof. The archive is easy to access, and includes the header information to show it was even submitted by the same email I still use today.

But now, they do not even respond when I find one of my stories being sold, and have largely given up.

There is not much plagiarism, but what I do find bothers me a lot. There are many places on Amazon that sell stories that they had simply downloaded from some erotica site. Sometimes changing the title, sometimes not. And always the author information and claiming it as their own work. And in the last few years, Amazon does not even seem to care.


Check to see if it's in Kindle Unlimited. If it is, report it as being available cheaper somewhere else, with a link to your original, and say that it's plagiarized as well. Just being available for free is typically enough to get it taken down. Pointing out that it's plagiarized will sometimes cause them to check the thief's catalog. ( Even better if more than one author reports ) That can get the entire catalog wiped out when they all show up being available for free.

It's a game of whack-a-mole, but as long as you don't obsess over it, it's satisfying to see the thieving asshats get sent back to square one every so often.
Quote by Just_A_Guy_You_Know
Gonna take a crack at some of these



A traffic cone.


20 years ago you would have been close. I was a night stock manager before taking this job. Not wally world though.
Quote by CumGirl


Jen, Jen, Jen.

Thank you, thank you, thank you.

I've had a little play around. Worked out what's going wrong and now I've totally Mary-Joseph-and-Baby-Jesused it.

Going to have an absolutely fun-packed day sorting out all my Series now.

Just one additional info question, when I update a published story do these go into the Moderator queue? Am I clogging up the system by doing multiple updates on old stories? I've been writing little notes tti the Moderators on each submission because I don't want to be wasting their valuable time.

CG

Xxx


If all you're changing is the series links, it should be only a few seconds worth of review for a moderator. They have a "track changes" type of thing that will let them see all you did was tweak the links. I can't recall for sure, but I believe some of mine went through without even hitting the queue when I grouped some of my series a while back. I know for certain that not all of them did. Check after hitting the publish button to see if the one you just edited is approved or awaiting moderation. If it clears automatically, may as well keep going until one goes into the moderation queue, and then try not to overwhelm the mods. Even though it should be a quick and easy approval for them, they don't know that initially. All they likely see is the number of submissions awaiting approval, and dropping another 10 in there might be just a bit anxiety inducing. LOL
And another note: As soon as the announcement for 2020 happened, nominations for 2021 opened up.
Quote by samg61
Filing is only means in the US to establish your copyright. The race to the Library of Congress is not correct. It is a violation of the Copyright Act to take someone's work and register it as your own. This can be challenged by evidence of prior creation by any of the forgoing means, WHICH IS NOT AN EXHAUSTIVE LIST. You have a common law copyright once created (on all versions). Best Practices: Do what Reject Reality suggests register it. This now can be done electronically, relatively simple to do and not too expensive at all (single work $45).


But to challenge it, you must register the work yourself. The copyright office doesn't investigate claims. They'll register both, and then let the courts deal with it. If you don't register, you're not going to get an opportunity to challenge the false registration. Until such time as you register, the person who has already filed the copyright has black and white government "proof" that they own the work, and you don't.

So, you either spend the money for a formal copyright, or you risk giving someone else the power to control your work on any U.S. venue, and any other venue that just doesn't want to spend the time investigating your documentation.

If you file but don't initiate the prohibitively expensive litigation process to challenge the false registration, the dueling copyrights are likely going to result in the venue taking down the work rather than investigating. Or, they may decide the earlier false filing is the one to go by, and take it down on their request. The stated goal is to prevent someone from doing that, so the infringer wins if the venue throws up their hands and takes your work down.

The one and only way to ensure you have the biggest guns in the fight without providing further financing for some lawyer's gold-studded swimming pool ( which you'll probably never recover even the tiniest fraction of ) is to formally register it yourself first.
Well, for one thing, Lush isn't U.S. based, which means they would likely recognize your copyright as defined in the Byrne convention, and could make a reasonable legal argument to defy a U.S. copyright filing by someone else. Technically you do have copyright immediately upon creation of the work. Places like Canada, the U.K., the EU, etc. will recognize that with sufficient proof of origin.

The U.S. is part of the convention, but they throw as many roadblocks in the way as possible to keep copyright cases out of the courts. That's why you need a formal copyright to even get a foot in the door. It would also be prohibitively expensive for either party to actually pursue the matter through the legal system. You would both likely have to rely on moral suasion, and that could go either way on a case-by-case basis. Some are going to recognize the formal copyright, some are going to recognize that you can prove you originally created the work.

Basically, it comes down to a shit fight without the formal copyright. The only way you can ensure 100% that you and only you have the authority to issue take-down notices is to have a formal copyright registered with the U.S. copyright office. You're not going to be able to sue regardless, because once you put something up in public for free, you've established that it has no monetary value. The best you can hope for is to get someone else's name off your work, and/or stop them from profiting from it via moral suasion.

Having proof of origin and a formal copyright simply means you have all the guns in the fight. Anybody else would have to rely on smoke and mirrors.
If you reside in the U.S., and you don't file for formal copyright ( Keeping in mind that you can create compilations of several works and file for a copyright on the archive under a single title ) you have zero protection in the U.S. If someone else files for a formal copyright on your work, as far as U.S. courts are concerned, they own it, and you are the infringer.

Mailing it to yourself, selling it at the mall or on the street corner... None of that means diddly if someone else copyrights it.

As to proving it's yours on another online venue, one simple way is to have a public contact on the site where it was first posted, then contact the new site via that public contact to prove you're the same person. In my case, I have all my work listed on my website, so it's a simple matter to point someone there to see that all three pen names I use are mine.

As often as not, any website that isn't shady to begin with will remove work you point out is plagiarized when you direct them to the original posting with an earlier date. In the case of someone ripping you off on Amazon, check to see if they're in the Kindle Unlimited program, and if so, then use the report form to note that it's available somewhere else for a cheaper price ( free ) by linking to the original, as well as noting that it's stolen. That will often get it removed without having to file an official DMCA request. Amazon doesn't like being undercut. Report enough of them, and they'll nuke the infringer entirely.

( If you see your work stolen and posted on Amazon for profit, be sure to report it on any site you post on, so other authors can take action on their stolen work as well )
Seems to be working from my end. I tried through both desktop and mobile, and it wouldn't record a score without a comment. Double checked my scoring history to make sure, and the aborted vote attempts aren't registering there.
I had the extra spacing problem as well. For some reason, the text processor started doing something weird a good while back. Do this find/replace before pasting:

Find: ^p^p
Replace: ^p

The original document will look horrible ( recommend saving a Lush specific copy, while keeping the final draft as-is in case you need to edit later ) but once pasted, it comes out right. ( At least using the "paste from Word" option )
Quote by Wet_n_willing
One thing I have noticed is that Word counts hyphenated words as one while the Lush counter counts them as two. That likely wouldn't account for a discrepancy that large, but if it does the same thing when you use a dash as punctuation vs. a comma or semi-colon it might add up especially if you use it often. I use Word and mine are always a higher word count here.


Unless something has changed since the last time I submitted a micro with one, proper use of an emdash ( no spaces before or after ) only counts 1 word for the two words connected by the em dash. Seems weird that it would do that, but count hyphenated words as two.
I micromanage the failings of 300 people in five minute blocks so that overpriced, tiny tin of pork-n-beans is on the shelf when you wander in at three o'clock in the morning.
Just want to go on record saying that I believe the Sharon Carter depicted in Falcon and Winter Soldier is our introduction to the evil faction of the Skrulls that will play out in Secret Invasion.
Quote by BlkSugarbaby


Ok but i was reading the definition of what Lush considers a fantasy story and it reads - "The fantasy genre does not necessarily have any grounding in reality, and is more concerned with magic and myth. This can encompass everything from historical Arthurian tales of court intrigue, to epic battles for empires and crusades against the forces of darkness." So if I write a story based in Camelot is that not fanfic?

The story i want to write is a fantasy based in the Dungeons and Dragons world of The Forgotten Realms.


If you're using the locations, the gods, any of the characters, etc. then it's going to be out of bounds. D&D is generic enough that unless you're outright rewriting a module, you're just writing fantasy. When you step into Forgotten Realms, Dragonlance, Greyhawk, Spelljammer, etc., then you're in the realm of fanfic.

If the kick for you is to have your characters walking in that specific world, Lush isn't the right fit for the story.
Quote by firmdreamer012
after publishing a story, I realized I had at some point in the editing process unintentionally changed the category. I fixed the error but now the story does not appear on either category page. any suggestions?


Just covering a base here: When you edit anything, the story goes back into the moderator queue. Until the edit is approved, it won't appear anywhere. Simple edits like this usually don't take long.

If it says "Yes" under "Published" then there may indeed be a problem someone needs to look into.
Congratulations!

I'm still struggling to find ideas I like for four categories, so I know difficult it is.
The pool of top tier talent is just too deep for a timed prohibition to change anything without making it something ridiculous like a year — and it's basically punishing success.

Everyone has to decide for themselves whether entering competitions is a positive for them, and act accordingly. The system in place is far more focused on the quality of the writing and sticking to the theme than the standard high score only model in use on similar sites.

Quote by adele

I never said they should not be allowed to enter, just limit how often they can win, say, the top 3 spots. I know a lot of writers who quit entering or rarely enter comps anymore because of the fact that the same people seem to win quite often. I have also had new writers say the same thing to me. I know there are many writers here far better than I am. I also have read many of the winning stories and objectively feel that some of mine have been just as good. I really don't think restricting how many times a person can win a contest is unfair. Many places that have contests limit that.

I have been here for 10 years and have been an author for most of that time. The vast majority of my stories are not returned for technicalities of spelling or grammar. I am nearing 1.5 million views on my stories and have over 400 story followers, very few of whom are friends, so my stories must appeal to some people. But if all you get is the best writers in each comp, then you are unfairly eliminating every potential excellent writer out there who is discouraged form entering by seeing the same handful of names winning every time. If you want to encourage new writers, then they need a fair shot at winning. But you won't get it both ways as it stands right now.

One other thing... the very fact that there are "these kinds of threads" proves my point. I am not the only person that feels this way.
Yep, it will treat both bench-strapped and benchstrapped as a single word.

It will also treat both bolded sections as 1 word each. "She sat on the bench—strapped down and gagged—awaiting Sir"