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Character Motivations

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Lately I have been having this problem where I can't finish a story because I can't stop describing the character motivations, and then end up trashing the story because the motivations I come up with are total trash to me and kill the story.

Any suggestions?
Think about the motivations ahead a bit. Know where the characters are coming from. Treat them as someone you know and get in their heads. If you know your characters and care about them a bit, then you should be able to describe reasonable motivations for them.
Yeah, what Scott said. You don't need to describe any of the motivations to the reader. Just so you know what they are, and are consistent, the reader will usually come along for the ride.

Trust the reader.
You might try writing what your characters do and let the reader decide their motivations from their discernable actions.
Motivations, like character backgrounds, are something that the author should know more about than actually goes into the story (or so I've read - do as I say, not as I do). It's good that you're thinking about them, but don't drag the story down with too much detail. And if you really don't think that the character would do what you want them to do (e.g. why is this shy virgin suddenly demanding a gangbang from 27 bikers?), then you either need some intermediate scenes (to show her journey from shy virgin to gangbang queen) or a different plot or different characters.NXLDEUEqsdJ1gb9w
Thanks all. That helps. Time to rewrite.
Quote by Green_Man


You might try writing what your characters do and let the reader decide their motivations from their discernable actions.


Works in shorter forms. In longer forms, where more character thought and interaction comes in, it becomes harder to keep things consistent if you don't have something in mind. Even if you don't put it down on paper, having some concept of the character and what makes them tick is needed, I think.
Quote by seeker4


Works in shorter forms. In longer forms, where more character thought and interaction comes in, it becomes harder to keep things consistent if you don't have something in mind. Even if you don't put it down on paper, having some concept of the character and what makes them tick is needed, I think.


Anne Tyler is a wonderful example of what some call literary realism. One must read her closely and with care. She is in complete control of her characters. She has obviously planned everything that appears in her novels. But it is completely incumbent upon the reader to decide the motivations of her characters from the way they act in the work. That is a great deal of the pleasure for connoisseurs of fine writing.

That was my point. Not that the author should simply allow the writing to carry them along without knowing what was coming. But to so plan it that their characters tell us what they want and need and hope and dream with their interactions with others, or even their actions while alone.

That's one way to do it, I believe.
Ok, story is done. I think I have done a good job with the motivations.

https://
Quote by chaos427
Ok, story is done. I think I have done a good job with the motivations.

https://



https://www.lushstories.com/stories/bdsm/-lost-kitten-.aspx

Here's the link on your behalf. (You won't be able to post a link in the forums until you make 20 forum posts.)

I thought you did a great job on this story. I loved the characterssmile
Quote by TangerineSky



https://

Here's the link on your behalf. (You won't be able to post a link in the forums until you make 20 forum posts.)

I thought you did a great job on this story. I loved the characterssmile


Thanks for posting the link. :)

And glad you enjoyed the story. ;)
Write the story. Write the motivations, write the details, write everything. The when its done, go back and edit about anything you don't need.

I wroteca story one time and wrote that the female protagonist (a home health aide, caring for a temporarily bed ridden athlete) lowered the thermostat 20°. No idea why, but later in the story, the athlete pissed her off.

She took all the sheets and blankets off the bed leaving him laying on a bare mattress in his boxers. Of course the cold got to him fairly quickly which in turn served to warm things up.

Write first. Edit later.
I have issues similar to the OP, and have applied some of the suggestions others have made.

Here is something I tell myself to allow my characters to act with less motivation and to make less obvious choices:

My characters can be less analytical, calm, considerate, fearful, etc., than I am.
My characters can be more spontaneous, insane, kinky, ignorant, etc., than I am.

When reading, I don't second-guess everything a character does.
When writing, I shouldn't have to build an iron-clad basis for each action.