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Cats and the Craddle--Cat Steavens
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Songs that makes you cry
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Never too late--Steppin Wolf
Sometime Around Midnight by the Airborne Toxic Event
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Will I- RENT
4. Sadie
Sadie, white coat,
carry me home.
Bury this bone,
take this pinecone.
Bury this bone
to gnaw on it later; gnaw on the telephone.
'Till then, we pray & suspend
the notion that these lives do never end.
And all day long we talk about mercy:
lead me to water lord, I sure am thirsty.
Down in the ditch where I nearly served you,
up in the clouds where he almost heard you
And all that we built,
and all that we breathed,
and all that we spilt, or pulled up like weeds
is piled up in back;
it burns irrevocably.
(we spoke up in turns,
'till the silence crept over me)
Bless you
and I deeply do
no longer resolute
and I call to you
But the water go so cold,
and you do lose
what you don't hold.
This is an old song,
these are old blues.
This is not my tune,
but it's mine to use.
And the seabirds
where the fear once grew
will flock with a fury,
and they will bury what'd come for you
Down where I darn with the milk-eyed mender
you and I, and a love so tender,
is stretched-on the hoop where I stitch-this adage:
"Bless this house and its heart so savage."
And all that I want, and all that I need
and all that I've got is scattered like seed.
And all that I knew is moving away from me.
(and all that I know is blowing
like tumbleweed)
And the mealy worms
in the brine will burn
in a salty pyre,
among the fauns and ferns.
And the love we hold,
and the love we spurn,
will never grow cold
only taciturn.
And I'll tell you tomorrow.
Sadie, go on home now.
Bless those who've sickened below;
bless us who've chosen so.
And all that I've got
and all that I need
I tie in a knot
that I lay at your feet.
I have not forgot,
but a silence crept over me.
(So dig up your bone,
exhume your pinecone, my sadie)
Joanna Newsom on the meaning of "Sadie":
"There are actually three stories; as with almost all of my songs, there’s this recurring triumvirate structure that imposes itself without my even realizing it at first. The three subjects are always connected, but often in merely intuitive or symbolic ways. In this particular song, the most straightforward subject is my then-dog, Sadie, who passed on recently. She was a lovely white Labrador who liked nothing more in the whole world than to play fetch. And I’ve always been impatient about that; I’d look at the soggy pinecone dropped at my feet while I was trying to get into my car, and I’d say, "I’ll play with you later."
The second subject of the song is a friend, my age, who was diagnosed with cancer. I remember marveling at the reaction of people around me, the way they sprung to action, finally articulated to her their love and appreciation, finally made those lunch dates they’d always talked about...and I sheepishly include myself in this phenomenon. It wasn’t disingenuous; it was just that our collective illusion, that we have forever to let someone know how loved she is, had been shattered.
The third subject is one of my most beloved friends, whom I’ve grown apart from. We had this sort of running argument, or a running series of disagreements founded on the same fundamental points of divergence, and if we had been close at that point, talking every day or whatnot, then those disagreements would have seemed like nothing. But because our correspondence had fallen behind, and we’d developed insecurities and bitterness, these disagreements became all-consuming; we fixated on them, let resentments build around them, let a silence build between us. And I remember just having my breath taken from me in one sickening moment when I paused one day to imagine what I’d do if this friend fell ill with cancer, like my other friend. I knew that I would fly to be with her, stay by her side forever if I had to, and revel in her extraordinary rarity, intelligence, kindness, forget all the shitty stupid petty small points of contention between us, because they were so insignificant in light of our own inevitable mortality".
Her Ladyship Verifier
I have a couple.
Tears in Heaven - Eric Clapton
Time in a Bottle - Jim Croce
Let it Be - The Beatles
My Father's Favorite - Sense and Sensibility (Patrick Doyle)
Vocalise - Rachmoninov
Tears in Heaven - Eric Clapton
Time in a Bottle - Jim Croce
Let it Be - The Beatles
My Father's Favorite - Sense and Sensibility (Patrick Doyle)
Vocalise - Rachmoninov
~ "She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott. "
Active Ink Slinger
Quote by fritzies
Leaving on a Jet Plane - Female version (forgot the singer)
Her name is Chantal Kreviazuk.
"Nos laetus epulor qui would domito nos. (We gladly feast on those who would subdue us.)"
"Nil satis nisi optimum. (Nothing but the best will do.)"
"I hate it when things don't go my way. It makes me so...horny." - Sarah Michelle Gellar (Kathryn, Cruel Intentions)
"Sex is just alone time with someone else there." - Taint on The Lex And Terry Show, 11/11/09
"Stupidity isn't a crime, so you're free to go."
"I am The Devil, too. There can only be one devil. One of us must go." - Ozzy Osbourne at the end of his cover of "Sympathy For The Devil"
"Your ego is not your amigo." - Nikki Sixx, The Heroin Diaries
"It's my world. I'm just letting you live here." - Mandy, The Grim Adventures of Billy & Mandy
"Nil satis nisi optimum. (Nothing but the best will do.)"
"I hate it when things don't go my way. It makes me so...horny." - Sarah Michelle Gellar (Kathryn, Cruel Intentions)
"Sex is just alone time with someone else there." - Taint on The Lex And Terry Show, 11/11/09
"Stupidity isn't a crime, so you're free to go."
"I am The Devil, too. There can only be one devil. One of us must go." - Ozzy Osbourne at the end of his cover of "Sympathy For The Devil"
"Your ego is not your amigo." - Nikki Sixx, The Heroin Diaries
"It's my world. I'm just letting you live here." - Mandy, The Grim Adventures of Billy & Mandy
Quote by Astir
"The breaking of the fellowship" from the movie The fellowship of the ring
Golum's song is pretty moving too. Stands up in its own right without the film asociation. Sung by Emilíana Torrini, who I was lucky enought to see a few years ago playing an acoustic set to a crowd of about one hundred people in the basement of a small Manchester club (this was after LOTR, can you believe it?)
Quote by SnakeOilQuote by Astir
"The breaking of the fellowship" from the movie The fellowship of the ring
Golum's song is pretty moving too. Stands up in its own right without the film asociation. Sung by Emilíana Torrini, who I was lucky enought to see a few years ago playing an acoustic set to a crowd of about one hundred people in the basement of a small Manchester club (this was after LOTR, can you believe it?)
Yes, it's a beautiful and very sad song.
Poor Gollum
Her Ladyship Verifier
Quote by INNOCENTMISERYQuote by fritzies
Leaving on a Jet Plane - Female version (forgot the singer)
Her name is Chantal Kreviazuk.
Jewell also sings it.
~ "She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
The Lady of Shalott. "
Active Ink Slinger
I don't think I know any song that makes me cry every time I hear it, but Honey by Bobby Goldsboro comes close.
Her Royal Spriteness
Hey Jupiter by Tori Amos
You can’t truly call yourself peaceful unless you are capable of violence. If you’re not capable of violence, you’re not peaceful. You’re harmless.