
Quote by overmykneenow
There's two ways of looking at this thread. Whichever way you choose to look at it, those who look at it the other way will treat you with derision.
If you are of Shylass's opinion, you won't like what I'm going to say, so stop reading this and skip to the next post.
When I first read it, I thought: poor guy, he's been dumped and fed a horrible lie. Did I have any proof? Could I have cried foul at the admins - of course not, it was a gut reaction, the sort of thing you get when you spend far too long in online communities.
I'm sorry, I'm not going to play along with this macabre charade. There are people here who have suffered genuine loss, and to play on those feelings is sickeningly low. Manipulating people's emotions in private is despicable enough but to do it on a public forum. I sincerely hope you get the help you so obviously need.
Quote by Verbal
Too far.
Quote by Son_of_Cthulhu2
most of you don't know but i was in a relationship with Sxilezbo14. it is my sad duty to announce that a few days ago she lost her life after an accident. i encourage anyone who know her,whether briefly or longer to share your thoughts on such an amazing person.
Quote by JessiLuv23
I'd appreciate it if you weren't such a dick about what I did. I did that because he needed to know.
Actor Don Cheadle takes Miles Davis' fearless attitude to heart in his directorial debut: a non-linear story about the trumpet player. Jazz fans may be thrown by the decision to focus on Davis in the 1970s, "Superfly" phase of his career.
When we meet him, Davis is a recluse who's strung out on drugs and fighting with his label over studio sessions. While pairing Cheadle up with Ewan McGregor (playing a Rolling Stone reporter) feels like a contrivance, what rings true are the film's snapshots from Davis' career.
Cheadle edits it all together in a fitting, improvisational style that skips from moment to moment: in the studio with Gil Evans, locking eyes with dancer Francis Taylor or running a nervous finger over his dry lips.