BTW - I wanted to thank those who have gotten in touch via PM with expressions of support.
I appreciate that with the people who run the site, and who are most actively involved, engaging in throwing insults and name calling and flaming that folks don't necessarily want to stick their heads up on a public board.
But I appreciate your thoughtfulness.
Holy shit. When I went to bed last night there were three posts in the thread (two of them mine).
I'm glad I started the thread as it seems to have generated some discussion and exchange of ideas, and that is all to the good.
Let me see if I can address a few issued raised. And I'm afraid I'm going to have to do it with multiple replies. I'm sure there's a way to do it all in one, but I'm too computer illiterate to know how to do that.
Thanks for the response, Wilful.
You're right that getting some sort of acknowledgement is not a good reason to go to the trouble of editing. This (writing) is one of my (few) areas of expertise. It's a large part of what my college academic background was about, and I've done some college-level teaching in writing (and some other subjects) as an adjunct. So I have a great deal to offer in terms of expertise. The editing on this story was way beyond punctuation and usage (although a lot of that had to be addressed) and into characterizations, a place in the middle of the story where the authors needed to deal with a considerable lag in erotic tension, and an ending which was very abrupt in the original. So I take a look at the story when it publishes and they used almost all of my suggestions for improvements. Then at the end there's no acknowledgement of any kind regarding the editing, but they're sucking each others dicks (imperfect analogy since one of the authors was male and the other female) about what a fabulous story they wrote. The thing even got one of those recommended read doodads (which none of my stories have ever gotten - but I've developed a sneaking suspicion that being a person-of-penis and completely vagina-less is not the way to be at Lush.)
Anyway, I appreciate the support and commiseration.
Just a word for those considering doing editing here.
At the author's request I put several hours into doing a very detailed edit on a story that recently posted (and found almost all of my corrections and suggestions for re-writing/revising/rewording were used). And there wasn't a single word of acknowledgement of my editing at the end of the story. I mean, are people at Lush really that shitty or clueless? How can you ask someone else to put hours of work into your story and not give them a very big and sincere shout-out?
Anyway 'nuf said. Partly venting and partly a heads up to potential editors that you may put hours into someone else's story and not even get the courtesy of an acknowledgement.
I have one story on here (Even Steven) that was inspired by a letter in a Dear Prudence column.
I don't think there is an rule or guideline or even a consensus. Every reader is different. Some won't get into a long story at all, and others won't want to bother with something short (and I think most readers in this category are those - who seem to be in the decided majority - that prefer well-developed stories with a plot that makes sense and characters that are deep and real).
I think the biggest factor in whether or not someone is going to read a story is category. If the story is in a category that is of interest then someone will read it, and if it's not then they are much less likely to get into it regardless of length or how it's presented.
I've found the same thing. If a story doesn't have a solid plot and interesting and developing characters then I have no interest.
From the opinions I've read here I think that's very much a majority view (although hardly unanimous).
I seem to be the dissenting voice here.
I don't think I've ever had more than one story in progress at a time. Sometimes while I'm in the process of writing one story an idea will occur for another. But in those cases I try to avoid doing much more than think about the details of character and plot and jot some notes until I'm done with the current project. It may be a failing, but I find trying to actively work on more than one piece at a time to be too distracting and confusing. The good part is that my writing process tends to be pretty rapid. When I envision a story I pretty much know the beginning and end right away. It's just how to navigate between the two that can be tricky. But usually I know fairly well where I want to go, and so the writing doesn't take overly long. I couldn't imaging trying to write a story piecemeal - a bit at a time without knowing the ending.
The long novel I've written (about 145k words) took just a few months of active writing, although the rewrite/revision process took a while. But once I'm past the initial active writing and am into revising I find I'm able to begin something new without too much difficulty.
I find my readers respond very positively to the literary aspects of my stories. They want and appreciate real plots and well-developed characters. Given the responses here I'd say that is typical. Others have asked before essentially the same question you've asked, and the answers typically reflect what you see here. I'd really have to surmise that the 'suck-and-fuck-fest' stories (and the readers who like them) are really more the exception than the rule.
I'd say go for it. I did a quick search on smashwords for 'wiccan' and came up with five title word matches and two hundred and some tag matches. So those are not any terribly great quantities for a site with 290,000 books on it. Most of the entries seem to be novella length (say 20K to 50K). Some seem to be short novel in length (60K to 80K). Fewer are short story length. But having a look through what's published on smashwords might give you an idea about what's out there now.
BTW - the same search on Lush returned ten matches out of about 30,000 stories. So you may be on to a lesser explored area.