Quote by Dancing_Doll
Yes. Sometimes female strangers will say it too. Whether it's coming from a guy or a girl, a compliment with no ulterior motives always feels more genuine and makes you appreciate it more.
"Wow! You are gorgeous!"
*walks off*

Quote by Dudealicious
Come on guys! That's all a load of bull crap.
Hotrod, what you need to do is to let your girl (prey) know just how hard you are going to cyberfuck them. What's always worked for me is to stick your dick in their ear, so they can hear where you're coming from.
Rock on brother!
Quote by one_winged_angel
I quite agree with Clum, with just one addition, to my understanding the knot issue is unique to canines so if it can be left out of the story, I would advise not putting that part in. Pun not intended![]()
Quote by j1991h
Add this twitter style, character counting plugin to show how many characters are left to use in the message boxes.
http://cssglobe.com/jquery-plugin-simplest-twitterlike-dynamic-character-count-for-textareas/
Demo: http://cssglobe.com/lab/charcount/01.html
Quote by jillinjulie
In my private album.
If I want to add someone the process is cumbersome as friend's names are not alphabetical.
That would be a nice bug to slay!
Quote by overmykneenow
Call me picky, Liz, but the pic you've used for Sean is from Never Say Never Again - a non-Eon film ;) #pedant
Sean was brilliant but Diamonds Are Forever was the worst film up until Die Another Day
George was hopeless, his only saving grace was he knew how to have a fight with the stuntmen and he happened to be in probably the best film of the lot
Roger was the first I saw at the cinema. Yes he wasn't exactly an action hero but who else could have delivered a line like "Courage is no match for an unfriendly shoe, Countess"
Tim was brilliant and should have made more, both of his films are very watchable
Pierce got to the franchise more than a decade after he should have done, Goldeneye was great but the rest got progressively worse.
Daniel, along with Tim, is the only other proper actor to play Bond. His Bond is far removed from Fleming's vision but then this is the 21st century
I'll have to go with the original - Bob Holness

Quote by Milik_The_Red
Hi, from what I can see, and I've not read it all by any means, your problem is more about creating a visual image more than sentence structure. However, maybe I can give you some pointers.
A sentence first should try to convey a thought. If it is held to this, it will be short, clear, and to the point. That makes it technically accurate, but also boring to read. To improve this, try modifying the thought.
You wrote:
"Meet me in the Sherwood forest, on the floor, blindfolded. I'll take up your offer." Was a message I received but an hour ago."
Not technically terrible, but it doesn't do itself any favors either. He speaks of an offer, but you said nothing of this before the mention here. How is the reader suppose to know?
Infact, we know nothing of who is narrating or what his or hers goals are. The character needs to be explained for us to care. These are the things that are hurting your story.
As to the sentence, I might have written it this way:
About an hour before my phone chirped and the message icon flashed. Excitement coursed through me and my hand trembled as I checked the screen. I didn't know what I wanted, what I feared more. Did I get a response? If I did, then what would be the demand?.
My breath caught in my throat as I read the message. It was short, but terrifying in its reality. 'Go to the Sherwood and lay on the ground. Put on a blind fold and be silent. I have accepted your offer.'
As you can tell, making it interesting takes work and it takes thought, but if you do not, your story is nothing more than a series of statements. Use metaphore and elaborate the dramatic points. That is the best advice I can give.
Quote by nicola
Spoilsport!
I've opened my private gallery up so people can see my boobies and pink bits, here: http://www.lushstories.com/nicola/black-label/