Quote by CuriousAnnie
I'm in edit mode and the savings if I have to add to the plot will come, so to speak, in the sex.
I think several of us have taken the same approach.
Quote by CuriousAnnie
anywhere but Australia because no Australian crime novel had ever become a big international hit
That's terrible! Personally, I took an interest in Australia about a decade ago and consumed quite a few Australian novels, movies and nonfiction books, including crime-related works. Anyone who hasn't read Picnic at Hanging Rock or For the Term of His Natural Life is missing out. For that matter, I really enjoyed the contemporary crime novel Earthly Delights by Kerry Greenwood, though I haven't kept up with the series since. Noise was a great movie too; Snowtown Murders was chilling and disturbing. Australia has a rich history of crime fiction (and, yikes, nonfiction); who cares if they aren't international hits?
Quote by CuriousAnnie
I will be intrigued what readers think of a modern Australian sexy noir
Yes! Please! An Australian setting is an asset, not a hindrance, in my book. In my own story, I went for Seattle instead of the usual Los Angeles/New York setting, not least because I have lived actually lived in Seattle and know it well. "Write what you know" is always the #1 rule. For all I know, many readers might be annoyed by the number of local references I included, but my hope is that there will be readers who truly know the city and enjoy the depth of that. I think the more local references (like "Vagina whisperer," specific locations, or uniquely Australian turns of phrase - of which you have so many) the better. It enriches the story even if not everyone gets every reference.
Quote by CuriousAnnie
I always get to or very close to the word limit, something about feeling I've left plot on the table if I have words to spare.
Seems a lot of the stories (mine included) are coming in around 9000 words. Hard to tell the complex stories we want in less, even if it means editing down the sex.
